Articles by mymsee (1)
Adam Elliot’s Mary and Max (2009) turns clay, loneliness, and absurdity into a meditation on friendship. It’s stop-motion as soul motion—an offbeat elegy for connection in a world allergic to sincerity.
Adam Elliot’s Mary and Max (2009) turns clay, loneliness, and absurdity into a meditation on friendship. It’s stop-motion as soul motion—an offbeat elegy for connection in a world allergic to sincerity.